The Right Woman (Twins) (Harlequin Superromance)
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The seed eventually became a novel and was published in Naturally, it takes place in Switzerland and France. A few years later, Harlequin bought a novel, Blind to Love, a story that takes place in Kenya. It's been a love affair ever since. I guess the moral of the story is, never underestimate a mother's intuition! Europe is her favourite locale for her novels. She lived in France and Switzerland, and has travelled extensively all over Europe, particularly Spain, Italy, the Pyrenees and Sweden. She said "There are so many gorgeous places, fascinating people, beautiful languages, culture and history, it's like trying to choose from a fabulous smorgasboard every time I start to write a new story.
The tastes, smells, sights, music--all of it speaks to me. Every time!
As Rebecca has kept writing, her talents have not gone unrecognized. Right now, Rebecca is working her way toward her 50th novel for Harlequin. They live in Salt Lake City, Utah. It reached the top 10 on the Waldenbooks Series Best-Seller List, marking the first time one of her novels had placed on the list. Warren writes every day. In those mornings that she does not have physical therapy, Warren reads email and participates on various blogs.
The number of category romance lines increased at a rapid pace, and by there were 16 separate lines producing a total of 80 novels per month. This tight market caused a proportionate decrease in the quality of the novels that were being released. By , the market was saturated with category lines and readers had begun to complain of redundancy in plots. The genre continued to expand in the mid-to-late s, as publishers realized that the more popular authors were often those who stretched the boundaries of the genre.
A novel by LaVyrle Spencer featured an overweight, middle-aged hero who had to make drastic changes to his lifestyle to win the heroine, while a Dailey novel involved an ugly hero and a heroine who was searching for her birth mother. The age range of heroines also began to expand, so that books began to feature women who had already reached 30 and even Heroes also changed, with some authors veering towards a more sensitive man. Despite the broadening of some aspects of the plot, other taboos remained, and publishers discouraged authors from writing about controversial subjects such as terrorism, warfare, and masculine sports.
The romance novel began to expand in other ways as well.
Her novel, A Knight in Shining Armor , "became a natural bestseller. Because the novels were set in modern times, they could include more of the elements that modern women could relate to, and soon began to touch on themes such as single parenthood, adoption, and abuse.
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By , the covers had begun to evolve from featuring a scantily clad couple to instead showing a view of the landscape featured in the novel. As women's career options have expanded in real life, so have those of their fictional counterparts.
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In the earliest Harlequin romance novels, heroines were typically nurses and secretaries. As time has passed and women have entered the workforce in larger numbers, romance heroines have spanned the career spectrum. Despite recent rehabilitation and merging of the genre with other genres, the stigma attached to the romance genre continues to be strong, with some dedicated readers embarrassed to admit to buying or even reading the books.
Some critics point to a lack of suspense, as it is obvious that the hero and heroine will eventually resolve their issues, and wonder whether it is beneficial "for women to be whiling away so many hours reading impossibly glamorized love stories. Romance novelists attribute the stigma to the fact that romance is the only genre "written almost exclusively by women for women. Romance novels are divided into two sub-sets, category romances, also known as series romances, and single title romances.
Category romances are short, usually no more than pages, or about 55, words. In many cases, the books are numbered sequentially within the line. To write a successful novel of this length, the "author must pare the story down to its essentials. Subplots and minor characters are eliminated or relegated to the backstory. Publishers of category romances usually issue guidelines for each line, specifying the elements necessary for a novel to be included in each line. Most recently, erotic and Christian lines have been introduced while traditional Regency romance lines have ended.
Single-titles novels are romance novels not published as part of a publisher's category. They are longer than category romances, typically between and pages, or ,, words.
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Despite their name, single-title novels are not always stand alone novels. Some authors prefer to write several interconnected books, ranging in number from trilogies to long-running series, so that they can revisit characters or worlds. Such sets of books often have similar titles, and may be labelled as "Number 1 in the XXX Series", but they are not considered series romances because they are not part of a particular line. Because the definition of a romance novel does not limit the types of plot devices, time frames, or locations that can be included, the genre has grown to encompass a wide variety of material and spawned multiple subgenres.
Subgenres of romance are often closely related to other literature genres, and some books could be considered a romance subgenre novel and another genre novel at the same time. For example, romantic suspense novels are often similar to mysteries , crime fiction and thrillers , and paranormal romances use elements popular in science fiction and fantasy novels. Contemporary romance, which is set after World War II ,  is often what people mean when they refer to a romance novel.
Contemporary romance novels—the largest subgenre—are set in the time when they are written, and usually reflect the mores of that time. Heroines in contemporary romances prior to usually quit working when they marry or have children—while heroines after usually have, and keep, a career. Most contemporary romance novels contain elements that date the books.
The majority of them eventually become irrelevant to more modern readers and go out of print. Over half of the romantic fiction published in the United States in out of 2, books were contemporary romance novels. Historical romance, also known as historical novel , is a broad category of fiction which the plot takes place in a setting located in the past, which Walter Scott helped popularize in the early 19th-century, with works such as Rob Roy and Ivanhoe.
However, the focus here is on the mass-market genre. This subgenre includes a wide variety of other subgenres, including Regency romance. Mass-market historical romance novels are rarely published in hardcover, with fewer than 15 receiving that status each year, less than one-fifth of the number of contemporary romance novels published in that format.
Because historical romances are primarily published in mass-market format, their fortunes are tied to a certain extent to the mass-market trends. Booksellers and large merchandisers now sell fewer mass market paperbacks, preferring trade paperbacks or hardcovers, which prevents historical romances from being sold in some price clubs and other mass merchandise outlets. In , mass-market historical romances were published, a year high. Kensington Books says they receive fewer submissions of historical novels, and their previously published authors have switched to contemporary.
Romantic suspense involves an intrigue or mystery for the protagonists to solve. Like all romances, romantic suspense novels must place the development of a relationship between the protagonists at the heart of the story. The relationship "must impact each decision they make and increase the tension of the suspense as it propel the story.
In turn, the events of suspense must also directly affect the relationship and move the story forward. This blend of the romance and mystery was perfected by Mary Stewart , who wrote ten romantic suspense novels between and Stewart was one of the first to seamlessly combine the two genres, maintaining a full mystery while focusing on the courtship between two people.
Paranormal romance blends the real with the fantastic or science fictional. Time travel , futuristic, and extraterrestrial romances also fall beneath the paranormal umbrella. These novels often blend elements of other subgenres—including suspense, mystery, or chick lit—with their fantastic themes. Others are set in the future, sometimes on different worlds. Still others have a time-travel element with either the hero or the heroine traveling into the past or the future. A popular title in the genre can sell over , copies.
Many paranormal romances rely on the blend of contemporary American life with the existence of supernatural or magically empowered beings, human or otherwise. Sometimes the larger culture is aware of the magical in its midst; sometimes it is not. Some paranormal romances focus less on the specifics of their alternate worlds than do traditional science fiction or fantasy novels, keeping the attention strongly on the underlying romance.
These books time travel, fantasy, science fiction, and futuristic blend romance with fantasy or science fiction, and they often overlap the paranormal subgenre. While exploring their alternate worlds, they also offer a fully developed romance. The sensuality level in these novels varies from chaste to very sexy. Over the years, many publishers have included futuristic, fantasy, and science-fiction romances in their contemporary series lines for example, Harlequin Temptation, Harlequin Superromance, Silhouette Special Edition.
The e-Book publisher Ellora's Cave has published many erotic romances with fantasy themes and other-worldly heroes and heroines.
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There is overlap in these subgenres. Steampunk is science fiction mixed with alternate history which takes place during the Victorian era.
It mixes historical elements with technology think of the television series The Wild Wild West —9. Authors to check out include M.