Three Philosophical Filmmakers: Hitchcock, Welles, Renoir

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It was something more than libidinal sexuality and involved sophisticated and highly refined courtliness that emulated religious love in its ability to create a holy union between the participants. Adherents to Romantic love in later centuries, affirmed the capacity of love to effect a merging between two people who thus became one. Singer analyzes the transition from courtly to Romantic by reference to the writings of many artists beginning with Dante and ending with Richard Wagner, as well as Neoplatonist philosophers of the Italian Renaissance, Descartes, Spinoza, Rousseau, Hume, Kant, Hegel, and Schopenhauer.

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Download all figures. Musser, Charles. Jean Renoir: A Life in Pictures book review. Film Quarterly, 46, , pp. Film-Historia Spain , 4 1 , , pp. Neupert, Richard.

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Three Philosophical Filmmakers: Hitchcock, Welles, Renoir

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